pink floyd dark side of the moon immersion rar file

Pink Floyd Dark Side Of The Moon Immersion Rar File Series Of Songs

The band have spent the last year recording and upgrading the music, using the advantages of modern studio technology to create The Endless River.

Their range is compendious, Jarretts improvisational imagination continually uncovering new forms, in a music stirred by powerful emotions.

In his liner notes, the pianist is forthright about the personal circumstances promoting a need to lose himself in the work once more.

In his liner notes, Keith gives a highly personal account of the music s inspirational genesis, which is outstanding, even by his own high standards, with powerful emotions never far from the music s surface.

These are recordings to put alongside the very finest in Jarrett s solo idiom.

The open format, embracing much music in shorter episodes, follows a pattern similar to that found on Radiance, but there are also flashes of the existential poetic flair which made, for instance, the Sun Bear Concerts such a special musical experience.

The release of Testament coincides with the 40th anniversary of the ECM label.

Two 1981 improvised concerts from Austria and Germany are featured, recorded respectively at the Festspielhaus Bregenz and the Herkulessaal Munich, venues noted for outstanding acoustics.

While the Bregenz concert has hitherto been available as a single CD, this set marks the first appearance of the complete Munich performance on compact disc.

The 3-album set includes extensive text booklet with liner notes by Keith Jarrett, an essay by Swiss critic Peter Redi, and poetry by Michael Krger.

Indeed, around this time, Jarrett would verbally attack music critics at his solo concerts, and the reflected paranoia is obvious in Peter Ruedis defensive booklet essay included here, The Magician and the Jugglers.

This multi-disc set was recorded during two concerts over four days in the spring of 1981 in Bregenz, Austria, and Munich, Germany.

This recording is not to be confused with the earlier, more consistently inspired Solo Concerts: BremenLusanne from 1973, which made Jarrett a star, yet the pianist was far from tapped out in these performances.

He is often in his best lyrically funky form, where he makes the most out of a single ostinato idea particularly at the beginning of the Bregenz concert and in the middle of the Munich concert and his touch and exploitation of the dynamics and timbres of a grand piano are always a pleasure to hear.

Even the passages of stasis or seemingly aimless rippling do not cancel out the treasurable moments and have real worth though for some, the string plucking near the end of the Munich show may be somewhat gratuitous.

In any case, this is far more interesting and elevated music-making than that of the New Age navel-gazing imitators who were cropping up in Jarretts wake in the early 80s en masse, and adds immeasurably to the historically unique portrait of the artist.

The primary revelation of Dark Side of the Moon is what a little focus does for the band.

Pink Floyd Dark Side Of The Moon Immersion Rar File Series Of Songs

Roger Waters wrote a series of songs about mundane, everyday details which arent that impressive by themselves, but when given the sonic backdrop of Floyds slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance.

But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia.

Its dense with detail, but leisurely paced, creating its own dark, haunting world.

Assistant engineer: Joel Plante.

Doug Sax and James Guthrie.

This was the first time they had done so since the Wish You Were Here sessions in the seventies.

Those sessions resulted in The Division Bell, the bands last studio album.

It would be the last time the three of them would be heard together.